Keirney

In its marvelously perceptive portrayal of two young women in love, "Sense and Sensibility" is the answer to those critics and readers who believe that Jane Austen's novels, despite their perfection of form and tone, lack strong feeling. Its two heroines--so utterly unlike each other-both undergo the most violent passions when they are separated from the men they love. What differentiates them, and gives this extroardinary book its complexity and brilliance, is the "way "each expresses her suffering: Marianne-young, impetuous, ardent-falls into paroxysms of grief when she is rejected by the dashing John Willoughby; while her sister, Elinor--wiser, more sensible, more self-controlled--masks her despair when it appears that Edward Ferrars is to marry the mean-spirited and cunning Lucy Steele. All, of course, ends happily--but not until Elinor's "sense" and Marianne's "sensibility" have equally worked to reveal the profound emotional life that runs beneath the surface of Austen's immaculate and irresistible art.

Sparkling with mischief, jumping with youthful adventure, Mark Twain's "Tom Sawyer is one of the most splendid re-creations of childhood in all of literature. It is a lighthearted romp, full of humor and warmth. It shares with its sequel, "Huckleberry Finn, not only a set of unforgettable characters--Tom, Huck, Aunt Polly and others--but a profound understanding of humanity as well. Through such hilarious scenes as the famous fence-whitewashing incident, Twain gives a portrait--perceptive yet tender--of a humanity rendered foolish by his own aspirations and obsessions. Written as much for adults as for young boys and girls, "Tom Sawyer is the work of a master storyteller performing in his shirt sleeves, using his best talents to everyone's delight.

A seminal work of twentieth-century drama, Waiting for Godot was Samuel Beckett's first professionally produced play. It opened in Paris in 1953 at the tiny Left Bank Theatre de Babylone, and has since become a cornerstone of twentieth-century theater. The story line revolves around two seemingly homeless men waiting for someone--or something--named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as a somber summation of mankind's inexhaustible search for meaning. Beckett's language pioneered an expressionistic minimalism that captured the existentialism of post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.

Best friends and unofficial brothers since they were six, ninth-graders T.C. and Augie have got the world figured out. But that all changes when both friends fall in love for the first time. Enter Alé. She's pretty, sassy, and on her way to Harvard. T.C. falls hard, but Alé is playing hard to get. Meanwhile, Augie realizes that he's got a crush on a boy. It's not so clear to him, but to his family and friends, it's totally obvious! Told in alternating perspectives, this is the hilarious and touching story of their most excellent year, where these three friends discover love, themselves, and how a little magic and Mary Poppins can go a long way.

When it comes to relationships, Colin Singleton's type is girls named Katherine. And when it comes to girls named Katherine, Colin is always getting dumped. Nineteen times, to be exact. On a road trip miles from home, this anagram-happy, washedup child prodigy has ten thousand dollars in his pocket, a bloodthirsty feral hog on his trail, and an overweight, Judge Judy-loving best friend riding shotgun--but no Katherines. Colin is on a mission to prove The Theorem of Underlying Katherine Predictability, which he hopes will predict the future of any relationship, avenge Dumpees everywhere, and finally win him the girl. Love, friendship, and a dead Austro-Hungarian archduke add up to surprising and heart-changing conclusions in this ingeniously layered comic novel about reinventing oneself.

Welcome to Echo Falls, home of a thousand secrets. Ingrid is in the wrong place at the wrong time. Or at least her shoes are. And getting them back will mean getting tangled up in a murder investigation as complicated as the mysteries solved by her idol, Sherlock Holmes. With soccer practice, schoolwork, and the lead role in her town's production of Alice in Wonderland, Ingrid is swamped. But as things in Echo Falls keep getting curiouser and curiouser, Ingrid realizes she must solve the murder on her own -- before it's too late! If you get hooked on Ingrid's sleuthing style, don't forget to check out the next two books in the series: "Behind the Curtain" and "Into the Dark"

In The Fairy's Mistake, two very different sisters have two very different encounters with the fairy Ethelinda. Rosella is kind and helpful. Her reward: Jewels and gems tumble out of her mouth whenever she speaks. Myrtle is rude and spiteful. Her punishment: Bugs and vipers slither out of her mouth. The fairy Ethelinda feels she's meted out justice just right--until she discovers Rosella has been locked up by a greedy prince and Myrtle is having the time of her life!